That’s at once the series’ strength and its downfall.

It’s here that lies behind all the roles that Dream plays, all the stories he passes through – so, by extension, here must lie the true reality. That’s why, I think, The Sandman works so well as a graphic novel: it can, to a certain extent, go beyond the linguistic surfaces of traditional narrative structures, the better to allow us to peer into the (wordless) collective unconscious, where reside the fundamental concepts that underpin those narratives – the raw stuff of Story. He’s a trickster figure, a creature who can control, and slip between, seemingly fixed narratives. I like the way the volume unfolds this, across eight stories with a range of tones, settings and styles: the folk tale Tales in the Sand, which tells of Dream’s only human love the dark, almost Twilight Zone-ish horror of Collectors, which sees two humans wander unwittingly into a convention of serial killers the (relatively) light-hearted Men of Good Fortune, which zips through a century every double-page spread or so.ĭream is referred to in Preludes and Nocturnes as the “master of stories”, and there’s certainly something of a Neil Gaiman self-insert in him, so it feels appropriate that he can move through a number of story types and play a number of different roles (for example: abusive lover in the style of the Greek gods knight in shining armour come to rescue the damsel in distress morality figure trying to teach someone a lesson about life).

The Doll’s House sees him start to repair some of the damage his long imprisonment has wreaked both on the world and on his psychic realm, the Dreaming.īut it seems to me that what the volume is really concerned with is Dream’s relationships: with his lover, his friends, his siblings, his dream-subjects, with the humans he comes across in his work. In Preludes and Nocturnes Dream escaped the clutches of a cult who had kept him magically imprisoned for seventy years, and set about reclaiming three magical artefacts that were stolen from him. If Preludes and Nocturnes introduced us to Dream, then The Doll’s House, the second volume in the cult Sandman graphic novel series written by Neil Gaiman (collecting issues #9 through #16, if you’re counting*), really starts fleshing him out.įor the confused: Dream is one of the Endless, who personify human concepts like – to name some of Dream’s siblings – Desire, Delirium and Death.

The sandman the doll house